Longboat has officially announced the upcoming release of its new electronic album, ‘Proud of My Postcode’. Scheduled to debut at the end of September, this project offers an observational portrait of Britain and London, viewed through the lens of an American musician who has made the United Kingdom an increasingly central part of his life. The record serves as a sonic exploration of the country, navigating the complex intersection of British history and the rhythm of contemporary everyday life.
The creative process for ‘Proud of My Postcode’ was centered in the heart of London at the iconic Strongroom Studios in Shoreditch, with Will Davies serving as the engineer. This environment allowed the project to distill a genuine affection for the nation into a cohesive electronic framework. By balancing the weight of historical context with the nuances of modern urban existence, the album captures a distinct narrative that reflects both a deep familiarity and the fresh perspective of an outsider.
Since its inception in Seattle in 2011, Longboat has cultivated a reputation as a prolific and genre-fluid entity. The project is directed by its founding musician, whose professional background is rooted in jazz as a tenor saxophonist and songwriter. While Longboat frequently functions as a solo operation within the studio environment, the project maintains a modular nature. Depending on the specific demands of each composition, the band is capable of expanding to include a diverse array of contributors, such as live rock and jazz musicians, string ensembles, brass sections, and backing vocalists. 
As the September release date nears, ‘Proud of My Postcode’ represents a significant new chapter for the artist. By channeling the local nuances of London into an all-electronic medium, the project continues to demonstrate the versatility and evolving nature of the Longboat sound. Further information regarding the rollout and availability of this new work will be provided closer to the launch, highlighting a body of music defined by its observational depth.
