Debut album ‘A Grave Marked Strange’ introduces Baby Jane’s emotional rave aesthetic, led by “End of the Night.”
Baby Jane, LA’s rising indie electronic provocateur, releases her striking debut album A Grave Marked Strange along with her breakout single “End of the Night.” The 16-track project is a genre-blending journey through hardstyle, techno, witch house, and cinematic pop.
Co-produced with War Tourism, the album is gothic, theatrical, and emotionally raw—layering distortion, bounce rhythms, and vivid storytelling. “I wrote A Grave Marked Strange about feelings so intense they blur the line between life and death,” Baby Jane says. “At her core, she’s a protagonist I live through—hopeless but still reaching for something real.”
The album includes a verse from Damazein and guitar by Matthew Michna on the ballad “Sistine.” But it’s the single “End of the Night” that’s building viral momentum. The track blends 2000s Eurodance with hard bounce and lyrical themes of temptation and regret. Its influence? Russian dance station “Evropa Plus” and Jane’s own Lithuanian heritage. 
“’End of the Night’ is about the fallout after giving in to something you know you shouldn’t,” she shares. “It’s both euphoric and tragic.”
A former LA underground DJ and self-taught producer, Baby Jane now commands nearly a million monthly Spotify listeners and a fervent fanbase dubbed The Coven. A Grave Marked Strange is more than a debut—it’s an immersive invitation into her haunting, high-drama world.
